The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing. This new technology handles the morphing at the physical modelling level, providing a stunning acoustic authenticity to instruments that never existed. However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard and PRO). Instruments VibraDrum, CimbaHarp or GlockenTines for sure do not exist. Up to 48 kHz in PIANOTEQ Stage and Standard. PIANOTEQ PRO offers an internal sample rate of up to 192 kHz. Presets built with PIANOTEQ PRO can be loaded in PIANOTEQ Standard without limitation. In PIANOTEQ Stage, preset loading is limited to parameters that are present in the interface. You can purchase additional instrument packs at any time. ![]() These instrument packs are fully working whereas remaining instrument packs are available in demo mode for your evaluation. During registration, you can choose two instrument packs with the Stage version, three with the Standard version and four with the PRO version. Note-per-note edit: all other physical parametersĬoncerns new purchases from 2019 onward. Time will tell on that too.Note-per-note edit: volume, detune, attack envelope I bought the Kawai under the belief that the action will be superior to the action on a Casio Px-150. I still think Pianoteq should cut a deal with a manufacture like Kawai to include the Pianoteq voices inside their stand alone instruments. It remains to be seen if I willl continue to use the Pianoteq voices or I will be satisfied with the Kawai. By the way the C Bechstein sounds a lot like the actual 6" 4" Chickering Grand I own.Īs an aside I have on order a Kawai ES 920. I just bought two more grand pianos during this sale period, but now I find myself going back to my beloved Bluthner. I sort of regret buying the harpsichord because while it sounds fantastically realistic, I just don't enjoy playing it. I started out with the Bluthner and still find it to be the one I like the most. I would have been better off to just buy the Pro version from the start during a sale period.Īs for instrument packs, it's hard to say. ![]() I started out with Stage upgraded to Standard during a discount, and then to Pro during another sale period. Or the case here - new buyers will gett 3 instruments packs and have to spend much less money than user like myself who spent nuch more money due to several upgrades and not even receive the full package (in this case an additional instrument pack which allready is part of the V7). Buyers do feel ripped off in those cases. You, or at least I, do not like to buy something at a full price for example and a couple of days there is an 30% lower price. What I do not understand - or better like - is the price policy of Modartt. If the updgrade is worth it - with my ears and just beeing a occational player I cannot decide, but I think yes. And the Erard, (free within the KIVR selection), is even better now you can tweak it. But the upgrade to standard was worth every penny even without it. ![]() I didn't know that either it was nice to find out. If that is right, I ask myself if there should be a third instrument pack open to chose now after upgrading to V7 standard.
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